INTRODUCTION
Tibet is a vast country, spread out between India and the Himalayas in the South, and China in the east. The traditional nomadic culture was greatly influenced by the introduction of Buddhism from India, to an extent that nearly all the cultural achievements of Tibet are related to the Buddhist religion. Because of the predominance of tantra with its rich tradition of symbolism, it is no surprise that symbols and symbolic artifacts of all sorts are found in Tibet. Some of the symbols however originated in Tibet, or were given a specific meaning within the local culture. Therefore, this page is made separately from the other pages on symbolism of this website.
THE KALACHAKRA 'TENFOLD POWERFUL' LOGOThis symbol can be found nearly everywhere where Tibetan Buddhism is present, in various forms. It represents the teachings of the Kalachakra tantra, one of the most complex tantric systems. This symbol was developed in Tibet and is a schematic representation of letters in the Lantsa script. The symbolism behind this logo is vast and has explanations referring to the outer world, the human body at its gross and subtle levels, and the practice of Kalachakra. A more extensive explanation can be found on this page of the International Kalachakra Network. |
PRAYER FLAGS, MANI WHEELS AND MANI STONES
Prayer flags are not only strung on ropes to hang between two poles, they can also be hung like a flag from one pole.
Usually, the flags come in five different colors: blue corresponds with the sky, white with clouds, red with fire, green with water and yellow with earth. (This is different from the usual general symbolism of colors, which is related to the elements: black/blue for air, red for fire, white for water and yellow for earth.)
There are many different types of prayer flags, you can find some descriptions at the Saraswati Bhawan website.
"The traditional Wind Horse Prayer Flags are ancient designs. In the center of the flag on the right, is the Wind Horse, the uplifting energy that carries good fortune to all beings. In the corners are the "Four Dignities": the Garuda (wisdom), the Dragon (gentle power) the Snow Lion (fearless joy), and the Tiger (confidence). The Eight Auspicious Symbols (See right) are depicted around the perimeter. Various prayers and mantras are included in the text.
At the top center are the three main Bodhisattvas: Avalokiteshvara (Compassion), Manjushri (Wisdom), and Vajrapani (Power). At the bottom center are the figures called "the union of enemies" representing friendship. The two swastikas are symbols of eternal life. There are many prayers for health, prosperity and good fortune."
At the top center are the three main Bodhisattvas: Avalokiteshvara (Compassion), Manjushri (Wisdom), and Vajrapani (Power). At the bottom center are the figures called "the union of enemies" representing friendship. The two swastikas are symbols of eternal life. There are many prayers for health, prosperity and good fortune."
The following story describes the origin of the prayer wheel (from tantricheartwheels.com):
"Arya Chenrezig predicted to Master Ludrup Nyingpo, "In the palace of the land of Naga is the Naga King Bodhisattva, who is the owner of a profound wheel of Dharma. By hearing, seeing, touching or thinking of this wheel, one can swiftly attain liberation from the suffering of the three lower rebirths. If you go and fetch this wheel, the benefits to sentient beings will be enormous."
Consequently, Master Ludrup visited the land of Naga and said to Naga King Bodhisattva, "Oh, Naga King Bodhisattva, please pay attention to me. I have come here because Arya Cherezig prophesized that the benefits to sentient beings will be enormous if I beg from you your profound wheel of Dharma, which can liberate beings from all types of sufferings of lower rebirths just by hearing, seeing, touching or thinking of it. Kindly give it to me."
Naga King Bodhisattva replied, "This wheel of Dharma, which has the quality of quickly liberating all transmigrators from the great suffering of the three lower rebirths merely by hearing, seeing, touching or thinking of it, was kindly given to us in the past by the Buddha Mar Mezed, and has given nagas much happiness. through it many have been led to the grounds and paths of Buddhahood. This Dharma Wheel is the wheel of the mantra Om Mani Padme Hung, the essence mantra Arya Chenrezig received from the Buddhas upon request, and which represents the essence of all the qualities of body, speech, mind and actions of the Buddhas. I shall give this wheel to you. You must place it on or in earth, water, fire or wind and use it for the sake of Dharma and living beings."
The wheel was passed on to Master Nagarjuna together with its instructions for use. Master Nagarjuna brought it to India and later passed it on to the Lion-Faced Dakini. From her the lineage passed through Tilopa, Naropa, Marpa and Milarepa to Dakpo Lha Je, then to Khampa Yu Se and so on."
Another, very Tibetan, phenomena is to cut mantras into stones, and pile them up to form entire walls. As the mantra carved onto the stones is again often the Chenresig mantra "OM MANI PADME HUM", they are also known as Mani-stones, often combined into Mani-walls.
There is often a natural inclination to make offerings to the lama out of recognition for his or her kindness. Plan to bring an envelope (or two, if you would like to donate something to the translator or other assistant) into which you can put your contributions. It is customary to make these donations at the end of the wang. You can place this on the lama's lectern or desk with the katha.
Though the value of an empowerment cannot be measured in dollars, that does not mean that money is unsuitable as an offering. Flowers and fruit are suitable as offerings to Buddhas and Bodhisattvas; lamas who are residents at dharma centres, who help build monasteries and schools, and who travel widely need money. Each person should offer what he or she feels is appropriate.
In Mongolia, the people often offer blue khatas.See also the page of the Tibetan Government on khatags.
THE FOUR DIGNITIES
The Four Dignities are mythical animals which represent various aspects of the Bodhisattva attitude, like strength, protection and cheerfulness.
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THE THREE SYMBOLS OF VICTORY AGAINST DISHARMONYThese symbols can easily be confused when not looked at carefully; for example, this Snowlion has a Garuda head.... Information and image from Andy Weber's website. The pairing of the six traditional enemies — garuda and snowlion, otter and fish, crocodile (sea-monster) and seasnail — creates the three mystical animals, symbols of universal love. From Saraswati Bhawan: "The Union of Opposites (mithun gyulgyal) is an interesting group of symbols. These mythological beings are joined rival pairs of animals created to symbolize harmony. A snow lion and a garuda, normally mortal enemies, were combined to form an animial with a snow lion’s body and a garuda’s head and wings. Likewise a fish was put together with an otter and a crocodile-like chu-srin was married to a conch shell. These composed creatures are often put on Victory Banners for the reconciliation of disharmony and disagreement." |
MOUNT KAILASH
Mt. Kailash, Tibet |
Tibetans consider a pilgrimage journey around Mt. Kailash very important, some people even manage this high-altitude, difficult trek by making prostrations. It is even said that if one does 108 circumambulations, one will reach enlightenment. Quite a number of tales are connected to the mountain, linked with the greatest saints of Tibetan Buddhism, Guru Padmasambhava and Milarepa, and is the abode of the deity Chakrasamvara.
”There is no place more powerful for practice, more blessed, or more marvelous than this; may all pilgrims and practitioners be welcome!"
Milarepa
In Bon - Tibet's pre-Buddhist religion the mountain is called Tise and is believed to be the seat of the Sky Goddess Sipaimen. (Hindus identify it with the abode of Shiva. Jains call the mountain Astapada and believe it to be the place where Rishaba, the first of the twenty-four Tirthankaras attained liberation.)
See also this page from Sacred Sites.
See also this page from Sacred Sites.
KARMAPA DREAM FLAG
According to the outer meaning the blue represents the sky or heaven. The yellow symbolizes the earth. The wave symbolizes the Buddhadharma penetrating heaven and earth.
According to the inner meaning the blue represents vision and spiritual insight and the yellow symbolizes our experience of the everyday world. The symmetry of the wave pattern shows the interdependence of the absolute and relative levels of reality.
According to the secret meaning, the blue symbolizes emptiness-wisdom and the yellow represents compassionate action. The wave is Mahamudra: the union of compassion and wisdom- the ultimate realization of one’s true nature.
MUSICAL INSTRUMENTS IN TIBETAN BUDDHISM
To make the offering of sounds, the Tibetans use a whole range of musical instruments, from bells, cymbals, drums to wind instruments. Especially some of the wind instruments may produce a very strange sound for the Western ear, like the Long Horns which sound almost like a toneless blare to the Thighbone Trumpets with a sometimes piercing sound. To judge for yourself, do visit this page of the Nuns of Khachoe Ghakyil, which include descriptions and even soundbytes of the instruments.
TIBETAN THANKAS
A specific artform that has developed into perfection in Tibet are the scroll-paintings or Thankas. On one hand the often nomadic people liked to have images of deities and other subjects, but transportation of conventional flat paintings was problematic. That is why the art of making paintings that can withstand rolling up was developed into perfection. Traditionally, very specific recipies are used for making the paint (mostly made of natural minerals) and preparation of the canvas. You can find good information in English and German on thankas and much of the symbolism involved on the site of the Dharmapala Thanka Center.
BOOKS & LINKS ON TIBETAN BUDDHIST SYMBOLISM
Tibetan Clipart is a great source of vector-graphics which you can use to illustrate anything and support an education project for Tibetan youngsters at the same time.
An excellent book on symbolism is Robert Beer's "Encyclopedia of Tibetan Symbols and Motifs", Serindia publications.
A good classical one is Lama Anagarika Govinda's "Foundation of Tibetan Mysticism", which describes a vast amount of symbolism surrounding the mantra OM MANI PADME HUM.
See also the Khandro website
An excellent book on symbolism is Robert Beer's "Encyclopedia of Tibetan Symbols and Motifs", Serindia publications.
A good classical one is Lama Anagarika Govinda's "Foundation of Tibetan Mysticism", which describes a vast amount of symbolism surrounding the mantra OM MANI PADME HUM.
See also the Khandro website
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